John Neff
at Golden Gallery
September 5 - October 28, 2012
Reception: Wednesday, September 5, 6 - 9pm120 Elizabeth, Ground Floor, New York, NY
Gallery hours are Thursday – Sunday: 11am – 6pm, or by appointment.
Visit: Golden Gallery
In the Flesh reading: HOMOTEXTUAL #2
Friday September 7, 2012, 7pm
The Way Station
683 Washington Ave. Brooklyn, NY
Featuring Sarah Schulman, TL Cowan, Ruben Davis
Hurricane Isaac, Mitt Romney's fake tan,
the naturally melancholic end of summer, death of feminist visionaries,
Tampa, and random shooting sprees getting you down?
Us too. Pull it up with In the Flesh! More info at: HOMOTEXTUAL #2
Kembra Pfahler at Participant Inc
Fuck Island
September 9 - October 14, 2012
Opening Reception: Sunday, September 9, 7-9pm
253 East Houston Street, NYC
For more information visit Participant Inc
National Association of People with AIDS presents:
National Gay Men's HIV/AIDS Awareness Day
September 22 28, 2012
View website for full schedule of events!
Friday, August 31, 2012
Tuesday, August 28, 2012
Artist Opportunities
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| Choreographer Donald Byrd rehearses in Adams Studio |
Need space and time to work on a project?
Apply for the MacDowell Colony.
The MacDowell Colony provides time, space, and an inspiring
environment to artists of exceptional talent. A MacDowell Fellowship, or
residency, consists of exclusive use of a studio, accommodations, and three
prepared meals a day for up to eight weeks. There are no residency fees. More info: APPLY
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| Tom of Finland, Untitled (Detail), 1978, Marker on paper, |
Tom of Finland wants you to sell your erotic art!
West Hollywood- Los Angeles, Erotic Art Fair Weekend September 28-30, 2012
The Weekend provides a unique opportunity for artists from
around the world to display and sell their erotic work to the public.
Every medium is welcomed — painting, drawing, sculpture, photography, mixed media and digital work. The Foundation’s staff curates the Fair to ensure a variety of styles and media and strives to include work representing all genders and sexual orientations. More info: Visit here.
Every medium is welcomed — painting, drawing, sculpture, photography, mixed media and digital work. The Foundation’s staff curates the Fair to ensure a variety of styles and media and strives to include work representing all genders and sexual orientations. More info: Visit here.
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| William H. Johnson, c. 1918 |
Are you an early career Africain American artist working in
painting, photography, sculpture, printmaking, installation, and/or new genre? Apply for the 2012 William H. Johnson Prize.
Deadline is September 28. The 2012 William H. Johnson Prize
is 25,000 USD and the winner will be announced later in the year.
The William H. Johnson Foundation for the Arts is a nonprofit, tax-exempt organization that seeks to encourage African American artists early in their careers through its annual award. The award is named after William H. Johnson, an African American artist born in Florence, South Carolina in 1901 who although acknowledged as the most talented artist in his class of 1926, was passed over for a traveling scholarship, most likely because of his race. Rather than see Johnson struggle in the United States, his teacher, Charles Hawthorne, gave Johnson 1000 USD so that Johnson could travel to Europe. This act of faith and generosity was pivotal in Johnson's life, for it provided the seed from which his career flourished. Apply online at www.whjohnsongrant.org
The William H. Johnson Foundation for the Arts is a nonprofit, tax-exempt organization that seeks to encourage African American artists early in their careers through its annual award. The award is named after William H. Johnson, an African American artist born in Florence, South Carolina in 1901 who although acknowledged as the most talented artist in his class of 1926, was passed over for a traveling scholarship, most likely because of his race. Rather than see Johnson struggle in the United States, his teacher, Charles Hawthorne, gave Johnson 1000 USD so that Johnson could travel to Europe. This act of faith and generosity was pivotal in Johnson's life, for it provided the seed from which his career flourished. Apply online at www.whjohnsongrant.org
Plans for DAY WITH(out) ART 2012?
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| film still from UNITED IN ANGER. 2011, 93 minutes |
Screen UNITED IN ANGER: A
History of ACT UP in your community. Contact Ted at tkerr@visualaids.org.
Day Without Art (DWA) began on December 1st 1989 as the
national day of action and mourning in response to the AIDS crisis. Since then,
Day With(out) Art has grown into a collaborative project in which museums,
galleries, art centers, AIDS Service Organizations, libraries, high schools and
colleges present HIV related programming to remind the world that AIDS IS NOT
OVER.
What are you doing for Day With(out) Art 2012?
For 2012, Visual AIDS is proud to announce we distributing
UNITED IN ANGER: A History of ACT UP from filmmaker Jim Hubbard.
The 93-minute documentary about the birth and life of the
AIDS activist movement from the perspective of the people in the trenches
fighting the epidemic. Utilizing oral histories of members of ACT UP, as well
as rare archival footage, the film depicts the efforts of ACT UP as it battles
corporate greed, social indifference, and government neglect.
With distribution comes programming ideas, and marketing
support to ensure you have a successful screening. For more information about the film and director Jim Hubbard, check out POZ.com
This is the third year in a row Visual AIDS has distributed
a film for Day With(out) Art. Last year we screened UNTITLED with over 60
screening partners across North America.
Join us this year!
Monday, August 27, 2012
Beyond AIDS 2012: Joy Spencer
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| We Can End AIDS March, 2012, Visual AIDS |
Beyond AIDS 2012: Looking to extend the synapsis snapping and conversation convening, Visual AIDS will be posting images, guest posts, and link round ups stemming from 2012 to keep the best of the conference circulating. If you have something to share, email us at info@visualaids.org
For two years I waited. As the countdown dwindled from months, into
weeks and finally days, I meticulously planned out how I would maximize the
Global Village at the XIX International AIDS Conference 2012 in Washington DC. The unveiling of the AIDS quilt, the Human
Red Ribbon, the United in Anger film screening and the We Can End AIDS
mobilization march were just a few of the events I marked down. In the meantime
I devoured every article I could to keep up with the latest developments in HIV
research. The Thailand trials, the Berlin Patient and Truvada’s late breaking
FDA approval for prevention, dropped me right at the conference doorsteps ready
to learn more. But most of all ready to march and fight for change.
I knew it was going to be an inspiring conference but nothing prepared
me for what I experienced. It was a homecoming of sorts. First it was familiar
faces. From among thousands of delegates from all over the world I reconnected
with former colleagues who I had marched and worked with on various HIV medicines
and stigma issues in the past.
Second, I was reminded of that stirring in my belly from when I first
became involved. One of the things that still moves me about AIDS 2012 is how
many times I heard or saw printed on banners or in newspapers, the words
“vaccine”, “cure” or “end of AIDS”.
Hushed tones around such ambitious goals in previous years have given
way to bolder calls for renewed focus. The
mood was positive, and infectious. I was back, ready to fight, and not alone.
This renewed focus was evident during the We Can End AIDS Mobilization.
I was overwhelmed as we marched through downtown DC. I thought about the
millions already dead. Whenever our Human Rights & Harm Reduction branch
got too quiet I shouted,
“This is not a quiet march!
People who should be here are dead!”
And I meant it. We need to fight the fatigue that let us drop back
into silence. We have lost too many voices.
Weeks later I think about this as I realize I left AIDS 2012 not
really invigorated, but challenged. After arriving late and nearly melting into
a puddle of tears because I thought I wouldn’t get to see it, I managed to
squeeze into a packed screening of United
in Anger: A History of ACT UP. What I saw has reinvigorated my commitment
to HIV activism and made the deficities we are dealing with more pronounced. No
image was more powerful than that of ACT UP members scattering ashes of their
loved ones over the White House lawn. Scenes
of a Times Square filled the screen, the bodies fighting injustice, complacency
and misplaced priorities, were a jolt to my system.
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| still from UNITED IN ANGER: A History of ACT UP, director Jim Hubbard |
In comparison, our march the day before seemed conciliatory, an
amateur’s dress rehearsal. Our White House tribute of ribbons, pill bottles and
syringes to symbolize the solutions we know can turn the tide of the epidemic now
seems more like a nudge than an outcry. A gallant effort as we regroup. For all
our passion, when stacked against 1990s era ACT UP–men and women fighting for
their lives—we seem timid and barely angry. This is what I am left with. For
all the progress we have made we have a long way to go. Treatment action and access is a blessing but
sometimes it makes people forget that today people are still dying of HIV/AIDS.
Today, just as it was needed in the 90’s, we need to “ACT UP, Fight Back,
Fight AIDS”.
Despite all the optimism I feel about research to develop a vaccine
and find a cure, I know the fight to end AIDS is far from over.
By day Joy Spencer
is project director of the Digital Food Marketing & Youth initiative at the
Center for Digital Democracy. There she works to raise awareness about
the new age of digital advertising where the lines between entertainment and
advertising are completely blurred. The project seeks to unmask the influence
of immersive advertising techniques in promoting unhealthy food choices
among children and teens. By night and on weekends Joy is a passionate
HIV activist and educator. As co-chair of the Metropolitan Washington
Public Health Association Health Disparities committee she works to provide HIV
education in the district of Columbia as well as plan and facilitate community
anti-stigma workshops.
To play UNITED IN ANGER: A History of ACT UP in your community contact Ted Kerr at tkerr@visualaids.org or call 212 627 9855.
Labels:
ACT UP,
AIDS 2012,
Joy Spencer,
United In Anger
Thursday, August 23, 2012
Stuff Smart: Condom pack party at Visual AIDS
Back to School means condom requests from college and university campuses! Help the future PLAY SMART!
Join us at Visual AIDS on Friday September 7th 2-5pm for a condom kit stuffing party. We will supply the condoms, lube, and PLAY SMART trading cards featuring the work of Amos Mac, Iván Monforte, Richard Renaldi and Christopher Schulz. We will also have refreshments!
Here is more info on PLAY SMART: http://www.thebody.com/ visualaids/current/ broadsides2012_cards.html
Email Ted at tkerr@visualaids.org for more info.
Join us at Visual AIDS on Friday September 7th 2-5pm for a condom kit stuffing party. We will supply the condoms, lube, and PLAY SMART trading cards featuring the work of Amos Mac, Iván Monforte, Richard Renaldi and Christopher Schulz. We will also have refreshments!
Here is more info on PLAY SMART: http://www.thebody.com/
Email Ted at tkerr@visualaids.org for more info.
Labels:
Play Smart,
Richard Renaldi,
visual AIDS
Monday, August 20, 2012
Resources for Women living with HIV
WILLOW stands for Women Involved in Life Learning from Other Women, and it is a peer based program in which adult women come together and share information about living with HIV.
The program is open to women living with HIV who have known about their status for at least 6 months.
The next WILLOW cycle is
Tuesday, September 11, 2012
11am to 3pm
Family Resource Center
100 Pennsylvania Avenue
Brooklyn, NY
WILLOW will cover such topics as Gender Pride, Social Support, Healthy Relationships, Condom Use and Coping Skills.
For more information about WILLOW contact Dominque Mayers at dammers@pfth.org.
Porn, Poetry and Spunk
| Bob Shane and Roy Garrett |
It is easy to get titillated by the thought of a porn star.
But often after an encounter one is left disappointed.
Not so with Roy Garrett.
For beyond his performance and sexual skills, Garrett was
also a poet. In economical bursts he explored what it was to feel love,
community, and like a piece of meat.
Garrett, who often performed with his boyfriend Bob Shane in
movies, passed away in 1992 due to complicates related to AIDS. His work though
lives on.
Spunk, an arts magazine published by artist Aaron Tilford features the work of Garrett as well as an interview with Garrett's friend, Robert W. Richards.
To learn more about Garrett, and read his work, pick up a
copy of Spunk.
Included in the latest edition of Spunk is also a story by Carlos
Aponte, and artwork from Zachari Logan and Chuck Nitzberg.
Ai Weiwei and the ongoing influence of AIDS
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AIDS protest, 1989
|
From 1981 to 1993 artist Ai Weiwei lived in New York. He
studied at Parsons School of Design and at the Art Students League of New York.
During this time he made photographs and sculptures about the world around him.
Issues of poverty, gentrification, influence and class made there way into his
art.
As is highlighted in the new documentary Ai Weiwei: Never Sorry, his work was also influenced by HIV/AIDS.
His first solo exhibition in New York City was entitled
Old Shoes Safe Sex (Ethan Cohen Gallery) and included work about the then emerging crisis. His
photographic work from the time contain images from ACT UP demonstrations. His sculptures speak to the anxiety the virus was creating in people.
Now famous the world over for his blend of activism and
artistry, it is interesting to note the fundamental role HIV/AIDS and the
action it engendered had on him as he was coming into his own as an artist.
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| Safe Sex, 1986 |
Monday, August 13, 2012
New Jersey Woman Confronting the Crisis
Call for Abstracts:
Confronting the Crisis 2012
Women and HIV Conference
presented by New Jersey Women and AIDS Network (NJWAN)
November 1- 2, 2012
Rutgers University Student Center
126 College Avenue, New Brunswick, NJ
NJWAN is accepting abstracts for the workshop sessions for Confronting the Crisis 2012: Women and HIV.
NJWAN is the only female specific AIDS service
organization in the state and one of the first in the nation. Founded in
May 1988, it is a non-profit, tax exempt organization. For more information and how to apply contact Zeena Hazuri: zhazuri (at) njwan.org
Labels:
call for abstracts,
conference,
NJWAN
Intern at Visual AIDS!
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| Run Unicorn, 2011, Rene Capone |
Like working with a team?
Curious about the role art can play in creating social
change?
Good at Photoshop and copyediting?
Smart with social media?
Logistically minded?
Consider interning at Visual AIDS this year. We are looking
for short term, long term, credit, and not-for-credit interns as we work on the
following projects:
- Launch of the new Visual AIDS website, including the digitalization of the Archive Project
- Postcards from the Edge winter benefit
- Day With(out) Art, December 1st
- Lead up to the 25th anniversary of Visual AIDS
- And much more!
Play a role in this exciting time.
Learn new skills.
Meet people from the worlds of art, HIV/AIDS, and activism.
Get a close look at the inner workings of a busy art/AIDS
organization with a long history and an exciting future.
Visual AIDS offers:
- 8-16 hours a week
- Travel Stipend
- Flexible hours
- Fun and open working environment
- Close proximity to galleries and the highline
- Access to HIV/AIDS, and art information and history.
Email a C.V. and a letter outlining your related skills and
passions to Ted at tkerr@visualAIDS.org
Visual
AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists,
and preserving a legacy, because AIDS is not over.
Labels:
Intern,
visual AIDS
Battle Ground: Archive Member Paul Chisholm's solo show
Paul Chisholm’s solo show Battleground, features an array of work that focus on the duplicities of meaning embedded within the codes and gestures that characterize daily life and refers to ideas of the social versus the individual.
The artist frequently makes reference to the military conflict currently taking place throughout the Middle East and inserts accents of popular culture, from the First World, in order to expose the vast contrast that exists between the lived realities of those who fight to survive versus those who live a supposedly comfortable life.
ESPAI D’ART WAKA, Palma, Mallorca presents:
BATTLE GROUND
Paul Chisholm
September 8th – September 28th, 2012
September 8th – September 28th, 2012
Learn more about Paul's work here: paulchisholm.com
.
Labels:
archive member,
Paul Chisholm
Eric Rhein: NY Mag's Space of the Week
Archive member Eric Rhein has an artist’s profile featured in the on line publication of New York Magazine this month.
Visit NYMAG.com to see more of Eric and his work.
Visit NYMAG.com to see more of Eric and his work.
Thursday, August 9, 2012
Richard Sawdon Smith - The Anatomical Man
The Anatomical Man
August 10 - September 1, 2012
Hertzbergstrasse 27,
Neukölln, 12055 Berlin, Germany
Sawdon Smith has been exploring representations of
HIV/AIDs through his work for the last 18 years. His work shifts easily
between documentary and tableau.
The Anatomical Man is a persona created by Sawdon Smith; it is his tattooed alter ego. The artist is interested in the many identities and bodies that an individual can present to the world “we are not necessarily the same person we are with our parents as we are with our gay lover, this is not the same body of my 18 year youth, however much I wish it was.”
“Like many other HIV + people life can often be
divided in to pre- and post-diagnosis so fundamental is the shift in
perception of ourselves”.
“Now I look at my life pre- and post-tattoo as it has created another fundamental shift not only in my perception of self, almost as much as the HIV diagnosis but how others perceive me as well”.
Sawdon Smith's work is also featured in this month's web gallery, BLOODBROTHERS
Wednesday, August 8, 2012
Beyond AIDS 2012: L.J. Roberts
Beyond AIDS 2012: Looking
to extend the synapsis snapping and communiting convening, Visual AIDS will be
posting images, guest posts, and link round ups stemming from 2012 to keep the
best of the conference circulating. If you have something to share, email us at
info@visualaids.org
While in Washington for AIDS 2012 we got a chance to see Brooklyn
based artist L.J. Roberts’ work at the Renwick’s 40 Under 40: Craft Futures exhibition. It is a huge
and soft work that absorbs the eye and draws you in. As one of the organizers of last winter’s NOT
OVER: You, Me, Us and AIDS, which Visual AIDS supported, Roberts is part of a
growing movement of young artists, activists, academics, and involved citizens
that braid both HIV/AIDS history and urgency into their work. Currently Roberts is working on a large piece
inspired by Ira Sach’s short film Last Address. Below is Robert’s statement about the work at the Renwick.
The Queer Houses of
Brooklyn In The Three Towns of Breukelen, Boswyck, and Midwout During the 41st
Year of the Stonewall Era is documentation of a contemporary moment of a
thriving, activist, political, and creative community that practices resilience
and resistance through collaboration and cooperative co-existence, kinship, and
love.
Based on the drawing by Daniel Rosza Lang/Levitsky, and with
illustrations by Buzz Slutzky, the knitted, quilted and stitched map of these
queer collective houses, each with their own characteristic name and symbol,
references and subverts the iconography of coats-of-arms and heraldic devices
usually associated with royalty, corporations and the state. The work honors
queer, feminist, and trans histories such as the Stonewall Riots, activist
movements such as ACT UP and Queer Nation, the potent imagery of the artist
collective Gran Fury, and the collective grief and perseverance of the AIDS
Quilt, which included thousands of participants from across the world. In a way that is meant to evoke both the
formal and radical, this work celebrates the existence of chosen and deliberate
queer families built on a fierce spirit of love, sex, collective liberation,
and gender, sexual, and self-determination.
The map is a living and active archival memento of radical Do-It-Yourself/Do-It-Together/Punk
Craft practice and spirit that includes one-inch pins printed with the name of
each house and its representative illustration, free for any viewer to take.
For more information on Roberts visit: L.J. Roberts
Tuesday, August 7, 2012
FETE SERIES: Jon Nalley
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| Jon Nalley |
While his works are important historical documents, for Jon, the process is also a way of living in the world. Through his event photography as Social + Diarist Jon is able to engage in the world in a meaningful way that helps to address loss, and isolation that many of us feel.
Join Jon at the opening on August 8th at the gallery from 6-8pm.
Jon Nalley
Fete Series
August 8-14, 2012
Michael Mut Gallery
97 Avenue C
Opening August 8th, 2012
6-8pm
Read Jon's beautiful reflection on how he became a photographer at UNCANNY WORKS.
Friday, August 3, 2012
AIDS 2012: Photos!
See You Later Amy!
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| Artist Geoffrey Hendricks hugs Amy Sadao |
Thank you everyone who wrote Amy nice notes, phoned and came to our Farewell Amy Party! It was a wonderful evening of community and love in appreciation of 11 great years!
View more photos on our FLICKR page!
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| Cake! |
Thursday, August 2, 2012
ReMixed Messages: Media, Images, Closing Reception
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| aids: Made in USA, J.Morrison |
About Remixed Messages, Kennicott writes: "Whether or not the artists had AIDS in mind, they seem to be grappling with a set of AIDS-inflected moral truths: That intimacy is full of both grace and danger; that great traumas punctuate life irrevocably and make time less elusive; that the suffering which defines us cannot, should not, must not be cast off, even if that were possible." Read the rest of the article Washington Post.
For those in the DC area, visit Fathom Gallery tonight for the closing reception between 6-8pm with remarks by artist Tim Tate, and Don Blanchon, Executive Director of Whitman-Walker Health. Fathom is at 1333 14th St. NW.
For those outside of the DC area who wish to see the show, and have Facebook, view installation shots on the Visual AIDS Facebook page: Remixed Messages
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| Installation Shot courtesy of Transformer |
Wednesday, August 1, 2012
Toxic Beauty: The Art of Frank Moore
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| Lullaby II, 1997, oil on canvas, |
Visual AIDS is pleased to announce
Toxic Beauty: The Art of Frank Moore
September 6 - December 8, 2012,
New York University’s Grey Art Gallery and Fales
Library
Curated by Susan Harris
with Lynn Gumpert
The exhibition features approximately 35 major paintings and over 50 gouaches, prints, and drawings, as well as numerous sketchbooks, films, maquettes, source materials, and ephemera. It is the most comprehensive presentation to date of work by this remarkable artist whose life was cut short by AIDS.
The exhibition features approximately 35 major paintings and over 50 gouaches, prints, and drawings, as well as numerous sketchbooks, films, maquettes, source materials, and ephemera. It is the most comprehensive presentation to date of work by this remarkable artist whose life was cut short by AIDS.
Moore is best known for his figurative and highly
detailed large-scale paintings filled with fantastic and symbolic images. His
paintings allude to American culture and presciently address ecological
concerns and the dangers of genetically modified foods. Often autobiographical,
many of the paintings also reference Moore’s personal life and his HIV-positive
status.
In addition to creating his paintings and works
on paper, he collaborated on performances, dance productions, and films. Moore
was also an activist: he was a founding member of Visual AIDS, where he played
a crucial role in the creation of the Red Ribbon. He also helped develop the
Archive Project, which endeavors to document and preserve works created by HIV+
artists.
Exhibition Catalogue:
Toxic
Beauty: The Art of Frank Moore is accompanied by an illustrated
catalogue with essays by Susan Harris, renowned critic Klaus Kertess, and artist/activist
Gregg Bordowitz. The catalogue will also include excerpts from Moore’s own
writings. Both the exhibition and catalogue will highlight previously
unpublished archival material—such as sketchbooks and documents—culled from the
vast Frank Moore Papers, totaling 44 linear feet, housed at NYU’s Fales
Library.
For more information visit Grey Art Gallery NYU. Check back here for upcoming programming information associated with the exhibition.
BLOODBROTHERS curated by David Serotte
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| "Listening to Each Other," 2006, Albert J. Winn (with Richard Sawdon Smith) gelatin silver print, 14" x 14" |
Visual AIDS is proud to present the online web gallery
BLOODBROTHERS, curated by David Serotte and featuring
the artwork of Albert J. Winn and Richard Sawdon Smith
Curator's Statement:
Both members of the Frank Moore Archive
Project, Albert J. Winn and Richard Sawdon Smith were introduced to one another
through Visual AIDS. Recognizing that the artists' photographic self-portraits
shared a number of similarities, Winn and Sawdon Smith quickly established a
connection. Though both men focus the camera on themselves to address their
experiences with HIV/AIDS, each artist comes from different national, cultural
and generational backgrounds. With Winn living in Los Angeles and Sawdon Smith
based in London, the two artists visited each other's homes, and there they
executed several projects together. It is fitting that the results of this
artistic alliance find a home in the very institution that made them possible.
This web gallery provides an examination of how Winn and Sawdon Smith's solo
works visually and thematically rhyme, as well as how their individual efforts
inform their collaborative work, and vice versa. (read more)
About the Curator:
David Serotte is
an independent curator living and working in New York City. He received his
B.A. in Art History from Skidmore College. He has worked for The New Museum,
Artists Space, Tacoma Art Museum and The Tang Museum. Recently, he served as a
curatorial assistant for Jonathan Katz's upcoming exhibition Art, AIDS,
America. He is a Baltimore native and a proud member of the Legendary House
of Revlon.
Each
month, Visual AIDS invites
guest curators, drawn from both the arts and AIDS communities, to select
several works from the Frank Moore Archive Project. The Archive Project is both a service to HIV+
artists, while preserving a visual record of their work, and a public
resource, to teach about AIDS art activism and the lasting importance of HIV+
visual artists. Membership in
The Archive Project is free and open to all professional visual
artists living with HIV/AIDS and the estates of artists who have died from
AIDS.
The Weight of Sweat and Tears
On a steamy Tuesday afternoon, July 24th, Amy Sadao, Ted Kerr and I visited The AIDS Quilt on the National Mall in DC. At 11 AM, there was a scattered crowd, many quietly reflecting on the panels, some children running about asking why the blankets where on the floor and a few tourist posing at the unexpected attraction.
I had seen individual panels of the quilt objectively hanging in museums and churches over the years, but this was different. This was the first time I had seen so many of them, laid out on the ground, under the elements. (The last time the Quilt was displayed on the National Mall in
Washington, D.C., was in 1987, and
it included 1,920 panels). In the past, I often thought of the quilt as a touching, but somewhat benign symbol - easier to digest than the graphic posters Gran Fury or shouting of ACT UP, but laying on the cold dirt, each panel about the size of a grave, one after another was a reminder that silence still equals death.
The effects of time was also a reminder of how long we have been at battle. Some of the images are beginning to fade or crumble, and though the skinny ties and worn speedos, so lovely sewn on, may remind us of another decade, they also embody each loss with the immediate recognition of what's missing - bodies. Loving bodies that sweat, cried, danced, played, hugged, fought, marched and lived.
These were some of the thoughts in my head as Amy began to read the names of artists and friends we have loss. Not just of names people who died years ago, but also friends who passed away months ago, like Barton Lidice Benes and Robert Miles Parker. The names breaking the silence.
In this overwhelming moment, it begins to rain. The volunteer staff shout out for help to fold the quilts. No one hesitated. We all ran to a quilt, and folded the panel in half, then quarters and again until they were in small bundles. I was immediately taken by the weight of the quilts, the urgency of the matter and how quickly we all worked together - partnering with friends or someone we just meet. We ran from one quilt to another, leaving our things behind, until all the panels were folded. Hot and drenched in sweat, we were then asked to move the panels to the side, where the piles would be covered in plastic. For many, this now became an individual mission. The easiest way to carry these panels (the weighed of a limp body) was to reach down and wrap your arms around the quilt, holding it tight against your sweating body, then carrying it over to the side and gently laying it to rest. Your DNA now part of the of sweat and tears of friends, strangers, and love ones who came before you.
A reminder that we are still in this together.
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